Cast:Al Pacino, Hilary Swank, Robin Williams, Oliver Ole Zemen, Martin Donovan, Paul Dooley, Nicky Katt, Larry Holden, Jay Brazeau, Lorne Cardinal, James Hutson, Andrew Campbell, Paula Shaw, Crystal Lowe, Tasha Simms, Maura Tierney, Jonathan Jackson,
In the small fishing town of Nightmute, Alaska, a local 17-year-old girl named Kay Connell (Crystal Lowe) is found murdered. Two LAPD detectives, Will Dormer (Al Pacino) and Hap Eckhart (Martin Donovan) are sent up to assist the local police with their investigation.Concurrently, an intense Internal Affairs investigation back in Los Angeles is about to put Dormer under the microscope. Dormer is, in fact, guilty of planting false evidence against at least one suspect in this earlier case, a man named Dobbs. Certain that Dobbs was responsible for kidnapping and murdering a young boy, but realizing that there was not enough evidence to support a conviction, Dormer planted forensic evidence in Dobbs’ apartment. Dormer fears that many of his legitimate convictions will be overturned if Internal Affairs discovers that he falsified evidence in the Dobbs case. He does not want his life’s work destroyed, nor does he want these criminals back on the streets. Early in the movie, Dormer’s partner, Eckhart, reveals that Internal Affairs has offered him an immunity deal in exchange for his testimony. Dormer tries to talk Eckhart out of it, but Eckhart, apparently complicit to some degree in Dormer’s misdeeds, says that ultimately he must look out for himself and his family first, so he feels he has no choice but to accept the deal.Focusing now on the Nightmute case, Dormer comes up with a clever plan to lure the murderer back to the scene of the crime. However, the stakeout attempt is blown, and the murder suspect flees into the fog, forcing the police to spread out and search for him on foot. During the pursuit, Dormer sees a figure through the fog, which he believes to be the armed murder suspect. He fires, and the figure collapses. However, when Dormer approaches, he discovers that he has mistakenly shot Eckhart. When Dormer realizes what he’s done and tries to help, Eckhart turns away in horror, believing that Dormer shot him to prevent him from testifying in the Internal Affairs investigation. Eckhart dies moments later. As none of the other officers witnessed Eckhart’s shooting, it is initially assumed that he was shot by the fleeing murder suspect.Given the nature of Eckhart’s impending testimony, Dormer knows that Internal Affairs will never believe that the shooting was accidental. Thus, Dormer faces the dilemma of trying to bring the murder suspect to justice while at the same time cover up the truth about Eckhart’s shooting and preserve the misconception that the murder suspect was responsible for that as well. Ellie Burr (Swank), a young police officer and Dormer’s biggest fan, is put in charge of the investigation into Eckhart’s shooting.Throughout the film, Dormer becomes more and more unhinged, partly because of feelings of guilt over shooting his partner and anxiety about the risk of being found out, partly because of insomnia brought on by the perpetual daylight of the Alaskan summer. Adding to his delirium are the phone calls he receives from Kay’s killer, who does not identify himself, but who saw Dormer shoot Eckhart and knows about his attempt to cover it up. Dormer is aware that Kay was a fan of a crime writer named Walter Finch (Williams), and books autographed by him were found among her possessions. He discovers that Finch lives in Alaska, not far from the crime scene, and so starts to suspect Finch is the killer. He finds Finch’s address and enters his apartment illegally. There, he finds his photo. Finch returns to his apartment while Dormer is there, realizes Dormer has identified him, and flees. Dormer goes in pursuit, but Finch escapes.Finch contacts Dormer again, and they arrange to meet. Finch offers Dormer a deal, where Dormer is supposed to help frame Kay’s abusive boyfriend Randy Stetz (Jonathan Jackson) for the murder in exchange for Finch’s silence about the Eckhart shooting. Finch secretly tape records their conversation, in order to give him hard evidence of Dormer’s role in the shooting, as well as Dormer’s attempt to cover it up. He then lets Dormer know he taped the conversation, a move designed to ensure Dormer’s silence.Dormer seemingly agrees to the plan, though he’s really just stalling for time. Unfortunately, Finch is impatient and manages to frame Randy all by himself. When Randy is arrested for murder, Dormer is forced to choose between destroying his own reputation and allowing an innocent man to be sent to prison.Meanwhile, Burr finds some inconsistencies in the Eckhart shooting: she finds a 9mm shell casing at the scene. Reading a case report on one of Dormer’s old cases, she learns that Dormer carries a backup gun, a 9mm Walther, now leading her to suspect that Dormer shot his own partner. Later, while meeting with Finch at his cabin, Burr discovers the murder victim’s dress. Realizing that Finch is the murderer, she reaches for her gun, but Finch knocks her unconscious. Dormer races to the cabin to confront Finch. It is clear that his concentration is nearly gone due to his lack of sleep. A brief fight ensues between Dormer and Finch, before Burr arrives and Finch escapes to his shed.Burr holds Dormer at gunpoint, revealing that she knows he shot Eckhart and demands to know whether he did it on purpose. Dormer breaks down, admitting that he shot his partner and stating that he is no longer certain whether it was an accident or not. From the protection of his shed, Finch fires at them with his shotgun. While Burr and Finch trade gunshots, Dormer sneaks around to Finch’s location. Finch fatally wounds Dormer with Burr’s original weapon, but Dormer quickly picks up the shotgun and blasts Finch at point blank in the stomach. A stunned Finch dies and tumbles into the water.Burr rushes to the detective’s aid. She comforts Dormer by affirming that Eckhart’s shooting was accidental, and tries to toss the evidence — the 9mm shell casing — found from the scene. Dormer stops Burr, telling her not to lose her way. "Let me sleep," asks Dormer - whose name echoes the Latin verb dormire, ’to sleep’, as well as the English words derived from it - before finally dying. After a moment of contemplation, Burr slips the shell casing back into its plastic evidence bag.
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Insomnia comments / review
Date: 2009-12-17 22:05:03
User: Buy Truy
A word to the conscious moviegoer: Christopher Nolan's latest film, "Insomnia," is not this year's "Memento." Sorry. There is no ongoing mystery that provides its audience with hours of lengthy thought and pondering long after the film has drawn to a close. There is no reverse storytelling. There is no film-noir style, nor is there the sense of urgency and desperation that permeated the previous masterpiece. So, those of you whose expectations revolved around these hopes, you needn't read any further.
Now that I have my audience, I shall begin by simply stating this: "Insomnia" is its own masterpiece, a standard cop drama given a makeover of impeccable style and incredible psychological tension. Director Nolan apparently had no intention of creating another "Memento," which is perfectly acceptable, given the extraordinary effort he has put forth here. It may be safe to say that this is one of the year's best movies.
The film gets under our skin before we have a chance to realize it, introducing vital clues that apparently have no bearing on the story quite early. We meet Los Angeles cop Will Dormer (Al Pacino), who is en route to Alaska by plane with his partner, Hap Eckhart (Martin Donovan). The two are on their way to investigate the murder of a young girl whose killer has yet to be located. As is the case in movies of this sort, the clues are sparse, the evidence non-existent; the local cops have no idea what to expect, until Dormer arrives on the scene and begins the process of inhabiting the killer's mind.
Reviewing a film like "Insomnia" puts me in a tough spot: there are plot elements and twists that are vital to your understanding of what I'm trying to relate, those that are spoiled once they are revealed here. All I can say is, read at your own risk.
To keep things succinct, there is a stake-out at a remote log cabin that results in the accidental death of Eckhart at the hands of Dormer. Before his death, Eckhart attributes his murder to his partner's fear of his deal with Internal Affairs; Dormer, with a full knowledge of what will happen to him if the truth is revealed about this mishap, retrieves the killer's misplaced .38 and passes it off as another homicide. Thinking he is on top of things, Dormer's problems have only just begun. His psyche begins to wear thin when he begins receiving phone calls from the killer, whom he reveals to be a local writer by the name of Walter Finch (Robin Williams).
"Insomnia" is never short on good characterization, brought into perspective by some of the year's best performances. Swank makes a good impression as the impressionable Ellie, making a nice transition from naivety to strong-willed as her character begins to play a bigger part in the unfolding story. Pacino is brilliant in his patented macho facade, but becomes much more engaging as Dormer begins slipping as a result of his insomnia, which causes his thought processes to cloud.
Robin Williams, however, turns out to be the film's biggest surprise. Here is the lovable star of "Mrs. Doubtfire" and "Hook," portraying a role along the likes of Kevin Spacey's John Doe in "Seven." By itself, the role of Finch would be little more than a routine murderer out to cover his tracks without hesitation, but Williams injects a quiet candor into the character, exuding chills and unpredictability as we await his next move.
Behind the camera, Nolan works these characters into a setting that he uses to its fullest. The early cabin sequence is one particular scene, in which the characters become enshrouded by a fog so dense and physical surroundings so weirdly shaped, it's almost surreal. The cold climates of Alaska, the snow-capped mountains that loom in the distance, and the visions from Dormer's point-of-view once his sleep depravation reaches its peak, all work in evoking a steely sense of menace and intrigue that keeps things at a subtle feverpitch.
In the end, it is the intense psychological battle between its two central characters that makes "Insomnia" so effective. Finch constantly reminds Dormer of his crime, rationalizing it in much the same way as he does his own crime. Dormer, in turn, begins to lose his awareness of the accidental nature of Eckhart's death: "Could it perhaps have been intentional?" he asks himself. In effect, he becomes a man complicated more by his own actions than those of others. "A good cop can't sleep because he's missing a piece of the puzzle; a bad cop can't sleep because his conscience is getting to him," Ellie later quotes him; little does he know he's on both sides of the fence.