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 | Elizabeth: The Golden Age /The Golden Age/ |
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| Year: 2007 |
| Director: Shekhar Kapur |
| Cast: Jordi Molla, Geoffrey Rush, Cate Blanchett, Clive Owen, Samantha Morton, Rhys Ifans, William Houston, Robert Cambrinus, Vidal Sancho, Jonathan Bailey, Aimee King, |
| Genres: Drama, Adventure |
| Runtime: 114 min. |
| IMDB: This film on IMDB |
| Subtitles: OpenSubtitles.org |
| Wallpapers: available |
The film opens in 1585; Roman Catholic Spain is the most powerful country in Europe, with King Philip II on his throne. Seeing Protestant England as a threat as well as in retaliation for England's constant piracy of Spanish ships, Philip intends to make war on his long-time enemy in order to take over the land that is now England and add it to what is already Spain, making his daughter Isabella Queen of England.
Meanwhile, in England, Elizabeth (Cate Blanchett) is still being pressured to marry by her advisor, Francis Walsingham (Geoffrey Rush). She is aging in years (she was actually born in 1533) and, with no child, the throne will pass to her next of kin, her cousin Mary, Queen of Scots (Samantha Morton). The Queen is presented with many portraits of crowned heads of Europe and princes; these include Ivan the Terrible, Erik of Sweden, an Archduke of Austria and a French prince. As always, Elizabeth refuses to take someone's hand in marriage, particularly that of the young Austrian archduke who has become infatuated with the Queen.
Walter Raleigh (Clive Owen) is presented at Elizabeth's court, having returned from the New World, and offers her some of the New World's riches: potatoes, tobacco, and two Indians. Raleigh also offers her gold from Spanish ships that he claims could not carry them, but the Spanish ambassadors who are present protest that Raleigh is a pirate and should not be welcomed. Elizabeth commands that the Indians should be treated well, but refuses to accept the gold.
Elizabeth quickly finds Raleigh attractive. She becomes enamoured of his tales of high-seas adventure and asks Elizabeth Throckmorton (Abbie Cornish), her most favoured lady-in-waiting, to observe him. Bess also finds Raleigh an attractive man and secretly begins an affair with the explorer. Elizabeth meanwhile seeks guidance and advice from John Dee who predicts that two empires will go to war. However, he cannot predict which will triumph over the other, leaving Elizabeth to ponder her fate.
Meanwhile, a Jesuit group in London conspires with Philip to assassinate Elizabeth and replace her on the throne with Mary, Queen of Scots in what is referred to between Philip and the group as "The English Enterprise", and is known to history as the Babington Plot. Mary sends secret correspondence from her prison in England to the Jesuits, who recruit Anthony Babington to assassinate Elizabeth.
Walsingham constantly warns Elizabeth of Spain's rising power and of Catholic plots against her life. However she, unlike her predecessor and sister “Bloody” Mary, does not force her people (half of whom remain loyal to Catholicism) to share her beliefs. Even then, those conspiring against Elizabeth are being hunted and murdered, including Bess's cousin, whom she tries to protect but fails to do so. After learning of her cousin's death, Bess turns to Raleigh for comfort. The barely hidden closeness of Bess and Raleigh causes tension between Elizabeth and Raleigh to mount, testing her desire to keep him in England and increasing his desire to go back to the New World.
Walsingham's brother is a Papist who knows of the plot against Elizabeth. It is revealed, though, that Walsingham had known of the plot all along, intercepting letters, and his brother is jailed. He reveals the plot to Elizabeth, who angrily confronts the Spanish diplomats. The Spanish ambassador feigns ignorance and accuses Elizabeth of receiving Spanish gold from pirates and insinuating a sexual relationship with Raleigh. A sword fight nearly ensues between the queen's male escorts and the Spanish contingent. She throws the Spaniards out of court. Meanwhile, Philip is cutting the forests of Spain to build the Spanish Armada in order to build the invasion fleet.
Mary, Queen of Scots writes a letter condoning the plot. Anthony Babington storms into a cathedral where Elizabeth is praying and points a gun at her. Elizabeth opens her arms, seemingly fearless. He pulls the trigger, and the Queen falls. It is later revealed by the traitor in the torture chamber that there was no bullet in the gun.
Elizabeth learns of Mary's involvement and Walsingham insists she be executed to quell any English Catholic revolt. Elizabeth is reluctant, but nevertheless Mary is tried for high treason. Mary ascends the block in a blood-red dress, red being the Catholic liturgical colour for martyrs. She is beheaded on February 8, 1587. This officially puts the war with Spain in motion. Philip tries to get approval from the Pope to declare war. The Pope and other Catholic leaders regard Mary as the true Queen of England so Philip was given the just cause of avenging the queen's death and overthrowing Elizabeth's court.
In England, Elizabeth forbids Raleigh from returning to the New World instead knighting him and making him Head of the Queen's Guard. Bess discovers she is pregnant with Raleigh's child and after telling him the news, she pleads him to leave. He chooses not to and the couple marry in secret. At the same time, Elizabeth awakes during a dream as the wedding is taking place. She confronts Bess a few weeks later, who confesses that she is indeed pregnant with her husband's child. An enraged Elizabeth confronts her, reminding Bess that she cannot marry without royal consent. Feeling betrayed, the queen banishes Bess from court and has Raleigh imprisoned for seducing a ward of the Queen. At the same time, Walsingham arranges for his brother, William, who is eleven years Francis' junior, to leave for France on the condition that he must never return to England.
The Spanish Armada begins its approach across the English Channel, and Elizabeth sets out on the coast in battle armour to rally the troops for a ground invasion. She forgives Bess and sets Raleigh free. The Spanish ships vastly outnumber England's, but at the last moment a major storm begins to blow the Armada towards the beaches, potentially wrecking their formation. Dropping anchor, the Armada becomes a sitting duck for English fire ships. Raleigh arranges for the English to set their ships on fire and direct their sails to steer into the heart of the fleet while abandoning ship. Elizabeth, back at her coastal headquarters, walks out to the cliffs and watches the Spanish Armada sink in flames. Philip's plan is shattered, and the Spanish naval fleet suffers their most humiliating loss in history.
As the film ends, Elizabeth visits Walsingham on his deathbed, telling her old friend to rest. She then visits Raleigh and Bess and blesses their child, presumably Damerei. Elizabeth seemingly triumphs personally through her ordeal, again resigned to her role as the Virgin Queen and mother to the English people. |
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| Date: 2008-01-20 03:39:14 |
User: Daniel Chapman |
Another Elizabeth I film? Why not? The Elizabethan Era's, indeed, a fascinating periods in English history - an era when England was relatively well off compared to other nations – even if its wealth was unevenly distributed!
Director Kapur interestingly puts dramatic and chilling appeal and emphasis on Elizabeth's Golden Age to reveal her personality and struggles to keep her throne and save her country from falling into the hands of conspirators and invaders. Does he give his audience any insight into the Golden Age when English Literature, poetry, music, theater, architecture, scientific and technological advancement, and exploration expansion flourished? Nope. His film does offer some interesting hints that women did enjoy the freedom of movement (ah ha, even a queen's closest and dearest lady-in-waiting could play cuckold to her mistress' favorite man!) and that competing interests and ambitions of colonial powers made it easy for ambitious sailors to legalize acts of piracy! Serious crimes could well resort in severe tortures. Director Kapur does stress that she was the "peoples" queen!
The story continues from where Cate Blanchett's young, flighty, and reckless Elizabeth made her finale masculine-like entrance in the prequel, "Elizabeth", as the Virgin Queen with her face heavily laced with the 'white-as-milke' make-up - an image of a queen ready to lead her citizens.
At a deliberate slow pacing, the introduction with its scenes, characters and their dialog prepare the audience to receive Elizabeth as the Queen with a more focused, more rigid personality, in charge of hers and her country's destinies. Yep, a woman with ready suitors, but offering a sense that she is wedded to her Empire! She seems very philosophical in her ideals and yet we see her court filled with sorts of political characters. Elizabeth, then, is seen with roving eyes, easily distracted by the presence of attractive men. Indeed, it's a crafty way to introduce Elizabeth before Director Kapur plunges his audience into a compelling tale of treachery, assassination attempts and romance that affects the Virgin Queen during her reign.
The film carries a mix of intriguing historical facts, legends and myths in ways that one can only expect history teachers of English public schools to apply to make their lessons interesting, or hear from gossipy English peers, from history classes, wanting to impress their friends with stranger-than-fiction tidbits and hearsay of those times. This film does promise a refreshing tale to grasp! There are those tongue-in-cheek whims and antics that mischievously provoke thoughts of the political and religious changing tides of modern times. Director Kapur has certainly avoided the creation of a history epic, based on dull, dry substance!
Blanchett is magnificent in her strange, enigmatic and multi-dimensional character, constantly faced with the challenges of her foes plotting and counter-plotting to take her down at her Court, in her government, and, from foreign lands. She's seen as almost as a brutal ruler at times and on her consistent guard in her determination to hold on to her throne, alternating between her seemingly vicious whims, her heroism and tangled romantic emotions! Yet, she comes off gracefully as a person who has the heart to forgive. Oh yes, there's also that scene that prompts me to think of Joan of Arc! It's not hard to want to cheer for the Queen in her determination to fight against the religious intolerance, barbarism and fundamentalism of the Spanish Inquisition. Spain was a very powerful Catholic foe and the Church did try to destroy this Protestant Queen and to restore England back to Catholism!
The battle in the calm-to-storm scene is exhilarating to watch. We also witness her struggles in her attempt to balance her duties to her country and her vulnerability to infatuation and tempestuous relationship. Clive Owens superbly handles his role as the dashing Walter Raleigh – indeed, one of the most colorful and controversial character of the times and of whom English history has spun numerous tales about. This film also charts Raleigh's colonizing dreams, his involvement in a love triangle, his sweeping in and out of the Queen's favor and his immense dislike for Catholics - that did historically determine his fate beyond this film's exposure. Geoffrey Rush returns as the loyal and polished spy master, Sir Walsingham and historically seen as the man who attracted conspiracy theories. Hhhmh, was he responsible for the birth of modern espionage? He's truly fascinating to watch. This film has a great stellar cast of actors who don't disappoint. There's so much on-screen chemistry oozing out between characters in this film. Oh yes, the villains are so agitating and annoying to the core.
The background music soundtracks come across as dramatically bold and nail-biting, poignant at times, and emotionally mystifying at others- appropriately matching the many guises, moods and whims of the Virgin Queen – the cold and strong and always majestic personality vs .her sentimentally vulnerable images - and also effectively reinforce the moments of gripping horrors of the events witnessed or felt. The sounds do have an interesting mix. Some of the scenes really deliver visual cinematic effects that remind me of the paintings of the period. The somber settings work beautifully to support and give intensity to the horrifying scenes and moments. Just love the way the sets and backgrounds are crafted to avoid overshadowing the characters. Oh yes, I love the color schemes presented in this movie to bring credibility to the scenes! The naval battle and Sir Walters' underwater escapade are so fabulously and stunningly crafted - without going over-the-board with extreme flashy special effects and colors to highlight the events.
I was captivated from beginning to end. Oh yes, this film does entertain, sending me on a delightfully exciting spell-bound journey in my attempt to separate legend and myths from historical facts. Oh yes, this film will make English history fun to browse all over again. Yep, I was absolutely entertained!!! |
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